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Your search for review returned 205 results.
Dark City (3/5)
Credit is due for spawning many other good films in the genre.
Swimfan (1/5)
The last reel competently ramps up the violence and peril, but who cares.
Collateral (4/5)
Too many plot holes and absurd action choices to merit a perfect review. The cinematography, score, and feel are ace. And the Korean night club scene is flawless film-making; makes me want to go shoot up a Korean night club with Oakenfold bumping on the PA.
A History of Violence (4/5)
Enjoyable Cronenberg--I never thunk it. Straight forward banal entertainment: the mob boss eats it, the school bully eats it, the dad rapes his kinky wife, just perfect.
Bedtime Stories (1/5)
I can't blame my Little Brother dates on all the sheize films I pay full price to see, but I will here. Adam Sandler and Rob Schneider going for the hard PG rating. I think I like two of Sandler's films: Happy Gilmore and Punch Drunk Love, the rest are tied for last place.
Run, Fat Boy, Run (1/5)
David Schwimmer directing, in the character of "Ross".
Miami Vice (3/5)
Mann's machine gun sound effects arouse me proper; too bad the attempts at romance or drama are quite unarousing. I am praying for Public Enemies; it has just as much potential as this one had.
Millions (2/5)
Cute and creative story with a touch of distracting fantasy bits. No detailed opinion or desire to form one.
Solaris (4/5)
Psycho-weird indeed; a good portion of eye-candy to keep me curious. I could have used a bigger bang in the last reel or perhaps an expensive score like the similarly neurotic Sunshine.
The Squid and the Whale (3/5)
New York is a right shit place to raise a family. Psych students probably have a field day with this mess. One of those films where you aren't rooting for anyone and there isn't much beauty or fun to indulge in along the way. I felt the same watching The Royal Tenenbaums (matching red sweats and wigs do not constitute "beauty" or "fun").